PASSING THROUGH MOVING IN AND GETTING AWAY WITH IT: Gordon Matta-Clark New York City Graffiti Photographs, 1972–73 Bondaz la plus instable et des

la plus instable et des fois la plus monotone

une amie qui avait pris ses distances depuis un moment

Opened in 1923 to mark a century of Brazilian independence

l’équilibre fragile entre concorde et discorde

de Milos Trakilovic \nARISE

PASSING THROUGH MOVING IN AND GETTING AWAY WITH IT: Gordon Matta-Clark New York City Graffiti Photographs, 1972–73 Bondaz la plus instable et desFrom 1972 to 1973, Gordon Matta Clark took over fifteen hundred photographs of grati in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under recognized body of work from Matta Clarkan artist who used the citys crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publication features every frame from every roll of film Matta Clark shot,